Tag: Quinta de la Rosa

Quinta de la Rosa, Pinhão

This is a post in the Spotlight on: Oporto and the Douro Valley series

Quinta de la Rosa, an impressive and imposing estate on the edge of the Douro river, was purchased as a Christening gift for Claire Bergqvist 1906. Actually, it would be more correct to say that, while the winery is sizeable (to include the family home, visitor centre and B&B accommodation), the estate itself has only 55 hectares under vine.

Logo, Quinta de la Rosa, Douro Valley

In the early days, all of the grapes produced on the estate were sold to large port producers such as Sandeman. Today, under the management of Claire’s grand daughter Sophie Bergqvist, the estate produces around 80% wine and 20% port from their grapes. And aside from the tourism aspects (they run winery tours as well as hosting visitors), they also produce olive oil.

The family owned estate is very much traditional in its wine production. Foot treading in the concrete lagares is still used for its ports, followed by ageing in French oak barrels. And there are some really excellent wines at the end of it.

After the winery visit, we had a taste of some of their core products at the small visitor centre.

Ports, Quinta de la Rosa, Douro Valley

We started with the Quinta de la Rosa Douro Tinto 2010. It was an intense red wine with a smoky, pungent nose, spicy palate and plenty of red fruit. Alongside grippy tannins, there was also blackberry, chocolate and a certain plumminess. The second wine, a joint venture between Quinta de la Rosa and its winemaker, Jorge Moreira, was the Passagem Reserva 2010, made at Quinta das Bandeiras. This, a more tart wine, was reminiscent of Cabernet Sauvignon and would definitely be interesting with some age. Right now, however, it’s holding on to a woody herbaceousness.

The ports in this basic tasting started with a 10 year old tawny. Alongside that oxidative character, there were lots of raisins and a little caramel and nut, making a smooth and elegant port with nice acidity and balance. Next came the Finest Reserve, a rich, ruby coloured port with lots of sweetness, fruit and acidity as well as a hint of liquorice. Finally, we tried the Late Bottled Vintage (LBV) 2010 which was only bottled two months prior to tasting. Beginning with a lightly floral nose, it showed delicate and complex nuances amongst the fine tannins. But, while there was plenty of fruit, there was perhaps not quite enough acidity for balance.

Over lunch, we had a rather more extended tasting.

For this, we started with a dry, white Douro wine, the Quinta de la Rosa Douro Branco 2013. Crisp and aromatic, it had notes of apple and lemony citrus. The other dry wine we tried, the Quinta de la Rosa Reserva Douro Tinto 2010, was where violets came out with blackberry and plummy fruit.

Moving back on to the port, we tried an older 20 year old tawny. Showing more caramel and dried fruits, there was also a hint of Turkish Delight about it.

Given the quality of the dry red wines, I think the vintage ports are really where Quinta de la Rosa has its strength and we tried two vintages. The Vintage 2011 was still very youthful (there was detectable tea leaf bitterness) with a floral nose in a decidedly sweet and fruity style. I actually acquired a bottle a few months later, which I’m intending to cellar for a good ten years. The Vintage 2000, visibly more aged, had caramel, prune, toffee and chocolate notes, backed by great acidity.

www.quintadelarosa.com

Spotlight on: Oporto and the Douro Valley

Now that we are in December, I think it’s safe to say that we are in the thick of winter, which of course makes it the perfect time to talk about port and Douro wines.

Tribuary, Douro Valley, Portugal

I visited the Douro Valley way back in sunny June when temperatures had already scaled the 30s. Degree C, that is. I think there was talk of it being so hot that it’s essentially nine months of hell, and we haven’t even begun talking about working on the region’s famously steep slopes.

Port really needs no introduction to the English market, especially given English merchant’s heavy involvement in creating this fortified wine. Dry Douro wines, like the lesser known cousin, needs a little more help.

The easiest way of describing these is that they are the unfortified version of port, which they are in many respects. After all, they are both made in the Douro Valley and from almost the same sets of indigenous Portuguese grapes. And the most obvious similarity can be drawn between the red Douro wines and vintage ports, especially at youth. The Douro Valley has some great dry, white wines too but there are far more differences between the dry, white Douro wines and the white ports.

Quintas along the river, Douro Valley, Portugal

The dry, red Douro wines have an intensity of fruit and colour that’s incredibly distinctive and appealing to those who like powerful wines with more than a little wood spice. Vintage ports, meanwhile, fortified and aged in giant barrels with little contact with oxygen, retains much of their fruit but with the added touch of sweetness and of course alcohol. Tasting the two side by side, the connection is immediately obvious.

The IVDP’s website is a great resource for learning about how these wines are made: www.ivdp.pt

Innovation in the Douro Valley

I think what surprised me the most, apart from discovering some incredibly nice wines, is how open to change this very traditional part of the world is. Sure, the slopes remain steep, the sun is just as intense and some Quintas still foot-tread the grapes in the lagares (the shallow, concrete tanks used for foot treading) but the way that port is produced and served is always open to innovation. Pink ports, for example, only arrived on the scene in 2008 with Croft Pink being the first.

Croft Port from the river, Douro Valley, Portugal

For port, the first push for change is about unveiling the alternatives. In the UK at least, we’re always caught up on vintage, ruby and tawny ports, forgetting that there are also white and pink ports as well as a number of esoteric styles that are made by only a handful of producers. For example, Taylor’s Chip Dry, which has been around for a while, was originally produced as an alternative to Fino sherry.

Of course, it’s not just about creating new product lines – there needs to be a certain level of quality guarantee too. It took a while for Croft Pink to be accepted as a port because the category for pink ports did not exist. And indeed the IVDP does a lot to ensure that quality of port we see is maintained at a certain standard – more on that later.

The second push for change is about how port is drunk. It would probably be unthinkable to put a vintage port into a cocktail but dry white, ruby and tawny are all fair game. (I collected some port-based cocktail recipes which you can read on Yahoo) Sometimes, it’s even the winemakers themselves leading the charge like at Quinta do Portal.

Port producers have certainly recognised the need for evolution but I hope the quality of the Douro’s ports and wines don’t suffer as a result of it.

Here are the stops on my Douro trip:

Instituto dos Vinhos do Douro e Porto (IVDP)
Graham’s
Quinta de la Rosa
Quinta de Sao Jose
Quinta do Portal
Quinta do Seixo
Quinta do Tedo
Ramos Pinto
Taylor’s

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